![]() Though the results had awkward aspects, that opera maintained a strong narrative impetus: Its plot was driven by a countdown to the first detonation of a nuclear bomb. ![]() Sellars also assembled a libretto from poetry, journals and original documents. Sellars, which had its premiere here in 2005, Mr. ![]() Most of Ned’s words come from the journals of fugitive slaves.įor “Doctor Atomic,” the previous collaboration between Mr. When Ned (the charismatic young bass-baritone Davóne Tines) first appears, he describes himself in the third person: “Ned Peters was a hustler from Independence town,” Mr. “Not dainty, simpering kid-gloved weaklings, but muscular, stalwart, dauntless young braves.” (The words come from Mark Twain’s “Roughing It.”) McKinny sings lustily over skittish, pointillist music in the orchestra. “It was a driving, vigorous, restless population,” Mr. The opera opens with Clarence, a hearty miner (the exuberant bass-baritone Ryan McKinny), who sets up the story almost as if giving a lecture.
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